A. Repeated Roots (p. 91)
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B. Roots a 4th (5th) Apart (p. 92)
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C. Roots a 3rd (6th) Apart (p. 95)
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D. Roots a 2nd (7th) Apart (p. 97)
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1. Retain same open/close position.
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1. Keep the common tone and move the
remaining two upper voices by step in the same direction
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1. Keep the common tones stationary and move
the remaining voice by step
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1. Move upper three voices in contrary motion
to bass
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2. Change open/close position
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2. Move all three upper parts in the same
direction (similar motion), with no leaps larger than a 3rd
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Exception: V-vi or V-VI. See
p. 97
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Note: In the above cases you can
arpeggiate upper voices freely following spacing conventions found on pp.
78-80. In addition, the bass may arpeggiate an octave
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3. Keep the common tone and move the voice
with the 3rd of the first chord to the 3rd of the second chord
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See chapter 6 (pp. 91-98) for more information